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Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era

Produced by Portishead co-founder Geoff Barrow, this scabrous if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in UK and Irish theaters from 17 November.

By

Sarah Ferguson

A seasoned journalist with a passion for uncovering UK stories, blending investigative reporting with cultural commentary.

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